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To paraphrase Joni Mitchell, I've looked at glory holes from both sides now, from blower and inhaler, from younger and older, and still it's glory holes' illusions I recall."Ĭonfused and traumatized by an unconsummated love, Maurice (James Wilby) finally gets some relief when he succumbs to gamekeeper Scudder’s (Rupert Graves) nocturnal advances in this Merchant Ivory adaptation of E.M. It's a great, exquisitely poetic representation of the impossibility of romance-and even desire itself. After studiously feigning disinterest, the young brute finally kneels at the wall, closed-eyed and open-mouthed, and receives the billowingn white smoke. The old lag lights a cigarette, inserts a straw through a tiny hole, and blows smoke through it into the next cell. A middle-aged prisoner knocks on his cell wall, frantically trying to attract the attention of his younger neighbor, who is dancing with himself in a dirty vest with a face as tender as it is tough. Is this is a bad sign? Jean Genet's Un Chant D'Amour, his only movie, is set, of course, in a prison.
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"My favorite movie male-on-male love scene is one in which the male couple are separated by a cell wall but brought together by a straw and a shared lungful of smoke. Fetishes abound (soldiers, sailors, cops, criminals), yet of all the rendezvous and caresses, it’s Querelle and killer construction worker Gil’s long-anticipated embrace that lingers with viewers longest.ĩ. Rainer Werner Fassbinder, 1982įrom start to finish, this adaptation of Jean Genet’s novel about a dangerously handsome murderer plays like the love child of Pierre et Gilles and Tom of Finland.
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And no, it doesn't hurt that Knoller and Sweid are totally cute, too."Ħ.
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The scene's great for two reasons: first, because it dares to show an Israeli Jewish man and a Palestinian man making love, and second, because it eschews the spit-and-smile approach to movies like Brokeback Mountain to give viewers a more realistic version of what happens when someone loses his anal cherry-it's a little awkard, a little painful, but also irresistble and tender and ineffably pleasurable. "It would have to be when Noam (Ohad Knoller) and Ashraf (Yousef Sweid) first have sex in Eytan Fox's The Bubble. The men can’t resist one another, and we can’t resist hitting rewind. Lust provides the thrust of Zach and Shaun’s long-anticipated night of passion, an explosion of atavistic attraction - pull at the belt get the fly untangle the legs - but it’s love that wins the day in this movie about a young man coming to terms with his sexuality. It’s raw passion and yearning, straightforward and frank, and that’s what energizes this touching and haunting indie hit about what happens when a casual hook-up turns into something more. There’s little romance involved when it comes to the encounter that starts Glen and Russell’s isolated two-night stand. Another cult classic, found its heart in a furtive love affair between two camp counselors, played by Bradley Cooper and Michael Ian Black, in identical tube socks, stolen in a dim shed. Sweat and saliva aren’t essential to sexiness-sometimes it just takes a funny bone. Though protagonists El Nene and Angel are constantly imperiled, they steal a final tender moment during a gunfight, burning up the screen with a desperate grab at love.Ģ. You won’t need it to understand this sensual Argentine drama based on a true story of bank-robbing lovers on the lam. Leave the translator on the bedside table. It's all here, eager for your eyes, waiting for you to watch:ġ. Whatever the catalysts that spark sexual reaction, we find them here, in the 30 sexiest gay film scenes-all of which, though wildly different, capture the raw and visceral experience of passion, leaving viewers feeling both deeply aroused and self-consciously voyeuristic.įrom the over-the-top hilarity of Wet Hot American Summer's gay romp to the pugnacious fervor that drives the titular anti-hero of Querelle the quiet longing in Bent to the bacchanal hunger that destroys Caravaggio the affirming naïveté of My Own Private Idaho to the boundary-pushing world-weariness of Edward II.